Unpublished doctoral dissertation, University of Hawaii Humpback whale bioacoustics: From form to function - Eduardo Mercado III
- University of Hawaii, Kewalo Basin Marine Mammal Lboratory, 1129 Ala Moana Blvd., Honolulu, HI, USA, 96814
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- (C) 1998 University of Hawaii
This thesis investigates how humpback whales produce, perceive, and use sounds from a comparative and computational perspective. Biomimetic models are developed within a systems-theoretic framework and then used to analyze the properties of humpback whale sounds. First, sound transmission is considered in terms of possible production mechanisms and the propagation characteristics of shallow water environments frequented by humpback whales. A standard source-filter model (used to describe human sound production) is shown to be well suited for characterizing sound production by humpback whales. Simulations of sound propagation based on normal mode theory reveal that optimal frequencies for long range propagation are higher than the frequencies used most often by humpbacks, and that sounds may contain spectral information indicating how far they have propagated. Next, sound reception is discussed. A model of human auditory processing is modified to emulated humpback whale auditory processing as suggested by cochlear anatomical dimensions. This auditory model is used to generate visual representations of humpback whale sounds that more clearly reveal what features are likely to be salient to listening whales. Additionally, the possibility that an unusual sensory organ (the tubercle) plays a role in acoustic processing is assessed. Spatial distributions of tubercles are described that suggest tubercles may be useful for localizing sound sources. Finally, these models are integrated with self-organizing feature maps to create a biomimetic sound classification system, and a detailed analysis of individual sounds and sound patterns in humpback whale “songs” is performed. This analysis provides evidence that song sounds and sound patterns vary substantially in terms of detectability and propagation potential, suggesting that they do not all serve the same function. New quantitative techniques are also presented that allow for more objective characterizations of the long term acoustic features of songs.
The quantitative framework developed in this thesis provides a basis for theoretical consideration of how humpback whales (and other cetaceans) might use sound. Evidence is presented suggesting that vocalizing humpbacks could use sounds not only to convey information to other whales, but also to collect information about other whales. In particular, it is suggested that sounds currently believed to be primarily used as communicative signals, might be primarily used as sonar signals. This theoretical framework is shown to be generalizable to other baleen whales and to toothed whales.
- Mercado, Eduardo III (1998). Humpback whale bioacoustics: From form to function. Unpublished doctoral dissertation. University of Hawaii.
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